DJ Bill Pyle has been doing his
thing in the Lawrence area for quite a while now. He is a member of the Jesse Jackson Five
and does DJ gigs on the side. He also helps out with the Revolution dance nights at the
Granada Theater among other things. On this evening, he did a good job at getting the
party started by spinning a bunch of classic funk and soul tunes for about 45 minutes.
Some of his selections included "Superstitious" by Stevie Wonder, "Sissy
Strut" by the Meters and "Jungle Boogie" by Kool and the Gang. I thought it
was a great way to get the show started, and it also made it real easy for the band to get
ready, since he didn't have to use the stage to do his thing. Overall it was a nice change
of pace.At about 10:30, The Band That Saved the World hit the stage and proceeded to
play two sets of solid funk and R&B. This particular night was different for the band
in several ways. First off, they had built a special stage for the evening: four piers
connected together by rope to make the stage look like an old ship. They also added a
bunch of lights to the stage and also strung Christmas lights throughout the club to add a
carnival-like ambiance.
Secondly, you might be wondering why the band went through all this trouble
well,
that was because the band was taping a video! They did a live audio recording at Mercy
Recording Studios, which is upstairs from the Bottleneck. Then, that night, they taped the
show for a video made in conjunction with First American Entertainment. There were three
video cameras being used in an effort to get a first-rate quality video of the evening.
The purpose of all this was to create a solid video they could use in their promo packet.
The band may also use some of the audio for their upcoming CD, which should hopefully
be out in the next three to four months. Having seen some of the video footage from this
show, I must admit that the band seems to have made a good choice in recording companies.
If youre looking for someone to do your next video project, I recommend that you
check First American Entertainment out. (Contact info will be at the end of the review.)
Last but not least, this evening was unusual, because the band would be introducing a
bunch of new material during the course of the show. Needless to say, this was a pretty
high-pressure gig for the guys.
The Band That Saved the World has been around for about four years and has been playing
all over Lawrence and Kansas City during that time. The band now consists of members /
former members of Bastard Squad, Monterey Jack, Lipsmacking Kitty Lunch, The Cats, The
Typewriter Band, Double Stuff, John Browns Underground, The Jesse Jackson Five, and
Funky Shtuff among others.
The members of the band are: Shannon Savoie vocals; "Reverend" Aaron
Morris trumpet and vocals; Steve Henry guitar and harmonica;
"Brother" Jeff Harshbarger bass and vocals; Tom "Toad" Wiener
drums, percussion and vocals; "Dr. Love" Brandon Curtis trumpet;
Jon White alto saxophone, baritone sax, flute and tuba; Dan Penn tenor
saxophone; Chris Leopold trumpet and keyboard; Mike McFarland guitar and
vocals.
Nearly everyone in the band has studied their instruments on a collegiate level
most right here in Lawrence at KU and it really shows. The performance talent and
song writing skills in this band are enormous. Flat out, these guys can lay down some of
the most ferocious and solid funk grooves the region has ever heard. While funk is indeed
the bands specialty, it is not the only style they can play convincingly. Throughout
the night, they played some very nice acid jazz, rhythm and blues, and even some rock
n roll.
The show was divided into two sets. The first one started off with a brand new song
entitled "Frankys Golden Ring." The song featured John White making his
premier live performance on the tuba. The elaborate setting and ambiance the band worked
hard to create really became apparent during this song, as it fit perfectly with the story
the song tells, set aboard a cruise ship. The song itself was a very interesting little
ditty, as it featured a little bit of swing, a little bit of reggae and even a touch of
polka! I thought the song was cool, and its unique use of varying styles was a nice change
from the norm.
Other highlights from their first set included BTSTW standards like, "Whoz Yo
Daddy," "Sunday," "Struggle" and "N.Y.C.," as well as a
couple of other very strong new tunes "As Far As I Can See" and a brand
new instrumental, "Funk Anthem." Musically, this set was very solid, but there
was one problem: The band seemed very stiff and not at all relaxed, which is very unusual
for a BTSTW show. The pressure of getting things just right was obviously affecting the
band. So after this first set, a break was just what the band needed.
After a 20-minute break, the band took the stage for set number two. The carnival
atmosphere of the show continued as "Brother" Jeff did a very nice
fire-breathing stunt and even managed to not burn the place down in the process! The band
looked a lot more relaxed and looked to be having more fun. This set also contained a
couple of new tunes. The best of these, and what has now become my personal favorite from
BTSTW, is entitled "Industry." This is easily the heaviest song the band has in
their repertoire, and also gives both Mike McFarland and Steve Henry a chance to show off
their substantial guitar chops. This set also featured more BTSTW standards like "Bad
Seed," "BBQ," "Changes," "Scarlet Witch," and the
set-closer, "Holy House." The set also featured a couple of covers that the band
has become known for playing: "Pick Up the Pieces" by the Average White Band,
and "Knock Yourself Out" by Tower of Power.
Overall, the show had a very nice flow to it and I think the band accomplished their
goal for the evening, and the new songs are some of the best the band has ever written. I
think that the band is really starting to hit their stride in that department.
I think the main thing that the band needs to work on would be to branch out more and
play more gigs outside of just Lawrence and Kansas City. They certainly have enough talent
to do so. Future gigs for the band include December 4th at the Bottleneck and December
11th at the Jazzhaus. If youre interested in contacting the band for a gig, you can
call the drummer Tom "Toad" Wiener, at (785) 749-2347. Make sure to get out and
see these guys oh, and be sure to wear your dancing shoes.